Sam Smith
Sam holds the role of Director of Performing Arts at St Joseph’s Nudgee College, Brisbane. In this position, he oversees the co-curricular Performing Arts activities at the College. Sam holds Bachelor and Postgraduate degrees from Griffith University and completed his Master of Education at Queensland University of Technology in 2019.
– Monday, 28 September
From Voice to Instrument: Supporting Boys to Flourish Through a Kodály-Inspired Primary Music Immersion Program
- Monday, 28 September
- 12:00 pm
The benefits of learning music, particularly through singing and instrumental study, have been documented over the past decade. Drawing on research, this paper and workshop explore a Kodály-inspired Year 5 music immersion program that places the voice at the centre of learning an instrument. Designed within a boys’ school context, the program intentionally supports student wellbeing and flourishing which is aligned with the PERMA framework.
This paper examines the successful implementation of a Year 5 immersion program outlining the processes that have been refined to ensure the longevity of a vocal/aural program. Focus is given to strategies that have fostered strong support from school leadership, respect and engagement from students, and meaningful partnerships with families.
The program’s Kodály-inspired, voice-first, aural-based approach provides a sequential pathway from group singing and musicianship games to ensemble performances. Gamification elements, particularly a badge leveling system, allows the boys to flourish and allows them to strive for self-excellence. Using the Gia timbre preference testing, shows how students are allocated instruments.
Inclusion is central to the program’s design. Individual Education Plans are considered during instrument allocation, alongside student-to-teacher ratios that support individual development. ICTs are integrated through music software and augmented reality experiences to enhance learning. Group singing and singing games provide an inclusive entry point for all students, enabling boys to develop aural skills, confidence, and musical identity before transitioning to instruments.
Ultimately, the program aims to shift the culture of the College by normalising music making and singing within a boys’ school where sport is often prioritised. The session concludes by following one student’s journey from Year 5 immersion to participation in the Australian Honours Ensemble Program, illustrating how a voice-first, inclusive approach can support diverse musical pathways and long-term flourishing.