Belinda Dolan
Belinda is coordinator of curriculum music at St Joseph’s Nudgee College. She enjoys teaching in the middle phase of education and has an interest in instrumental immersion and using technology to support learning in the music classroom. At Nudgee College Belinda teaches year 5 – 7 music.
– Monday, 28 September
From Voice to Instrument: Supporting Boys to Flourish Through a Kodály-Inspired Primary Music Immersion Program
- Monday, 28 September
- 12:00 pm
The benefits of learning music, particularly through singing and instrumental study, have been documented over the past decade. Drawing on research, this paper and workshop explore a Kodály-inspired Year 5 music immersion program that places the voice at the centre of learning an instrument. Designed within a boys’ school context, the program intentionally supports student wellbeing and flourishing which is aligned with the PERMA framework.
This paper examines the successful implementation of a Year 5 immersion program outlining the processes that have been refined to ensure the longevity of a vocal/aural program. Focus is given to strategies that have fostered strong support from school leadership, respect and engagement from students, and meaningful partnerships with families.
The program’s Kodály-inspired, voice-first, aural-based approach provides a sequential pathway from group singing and musicianship games to ensemble performances. Gamification elements, particularly a badge leveling system, allows the boys to flourish and allows them to strive for self-excellence. Using the Gia timbre preference testing, shows how students are allocated instruments.
Inclusion is central to the program’s design. Individual Education Plans are considered during instrument allocation, alongside student-to-teacher ratios that support individual development. ICTs are integrated through music software and augmented reality experiences to enhance learning. Group singing and singing games provide an inclusive entry point for all students, enabling boys to develop aural skills, confidence, and musical identity before transitioning to instruments.
Ultimately, the program aims to shift the culture of the College by normalising music making and singing within a boys’ school where sport is often prioritised. The session concludes by following one student’s journey from Year 5 immersion to participation in the Australian Honours Ensemble Program, illustrating how a voice-first, inclusive approach can support diverse musical pathways and long-term flourishing.
– Tuesday, 29 September
A Place to Belong: Sip and Sing Choir
- Tuesday, 29 September
- 3:45 pm
This paper explores a Sip and Sing Choir. A lunchtime vocal program designed for boys who experience limited social belonging in the playground and seek a safe, affirming alternative space. The choir functions as a community of care where students bring their lunch, sing together, and develop a sense of identity, agency, and connection through music.
Grounded in Kodály-inspired pedagogical principles, the program prioritises accessible, high-quality vocal repertoire, sequential skill development, and joyful music-making. The group is run by a music teacher, accompanist, and additional music teacher to create a supportive musical environment that scaffolds participation and nurtures confidence.
Drawing on narratives of student experience, this paper examines how semi-structured singing in a familiar environment fosters emotional safety and peer belonging. Repertoire is intentionally selected to support social engagement and musical success, encouraging junior schoolboys (Year 5 and 6) to continue singing beyond the session and into their daily lives. The choir becomes more than an extracurricular activity; it is a social anchor that positions students as capable musicians and valued members of a community. This study contributes to discussions of belonging, gender, and inclusive music education by demonstrating how intentional vocal programs can transform school spaces into places where students feel seen, heard, and connected.